All about Sabeer Bhatia's big India dream
Sabeer Bhatia lately has been talking up a storm about, of all things, the virtues of brick and mortar. Is the Hotmail cofounder, who sold his company to Microsoft in 1997 for $400 million, suffering from Internet fatigue? Not really. Although Bhatia, 37, has been trolling for the Next Big Cyberthing with little success since he cashed out, he still has his name on--and $10 million of personal funds in--a few startups. But the Indian-born Bhatia, who lives in California, is now fired by an ambition to build the Silicon Valley of the future back in his homeland. Doesn't Bangalore, India's homegrown technology hot spot, already lay claim to that title? Bhatia, who grew up in Bangalore, points to the city's fraying infrastructure and traffic logjams. "It can take almost two hours to cover a mere 7-kilometer distance," he sighs. Similar problems are creeping into other urban areas as the vibrant economy outpaces the Indian government's belated infrastructure buildout. Bhatia declares, "Cities are breaking down because they weren't planned in a holistic way. The country needs (one) to be built from scratch." Slideshows:Undiscovered hot corporate capitalsRichest tech titans Thus, Nano City, a new township in the northern Indian state of Haryana. This is to be a private/public partnership between Bhatia and the state government, which approved the project in September. Bhatia's Nanoworks Developers will hold a majority stake in the finance authority for the joint venture. The location is an 11,000-acre site three hours' drive from New Delhi. Nearby is the booming city of Chandigarh, where, coincidentally, Bhatia was born (and which is itself an architectural creation of Le Corbusier). "We couldn't have asked for a better location," he beams. Bhatia hopes to start acquiring land from local farmers this fall and to have all of the land in his possession by next March. Nothing has been bought yet, it should be noted. Such a model is not exactly new to India. The Mahindra Group's Mahindra World City is an integrated township near Chennai in southern India developed in partnership with the state government of Tamil Nadu. It has attracted companies like Infosys that were looking to expand outside Bangalore. Bhatia insists that what he's envisioned is more than just another urban agglomeration populated by low-cost engineers. He wants to develop Nano City into the "intellectual-property capital" of the world. Well, now! Bhatia is leveraging his connections to attract early settlers. He's targeting software development companies, pharmaceutical and biotech firms and leading educational institutions.
Slideshows:The world's best big tech companiesWhere the hottest high tech jobs pay best On top of his wish list are companies like IBM and Genentech and American universities like Stanford (his alma mater), Carnegie Mellon and UC, Berkeley. "Once we get a few marquee names to come in, the others will follow," he argues. Bhatia estimates that Nano City's development will involve up to $5 billion in investment. He has $500 million of funding already committed from a combination of Indian and international real estate funds and developers, Bhatia says, and he's contributing an undisclosed sum from his personal resources. Over the next 12 months he needs to raise a further $1 billion for the first phase of the project, which covers 5,000 acres. His big selling point to investors: Bureaucratic interference, which tends to stall Indian public works, will be conspicuously absent from this project. Bhatia claims he has the full backing of the bureaucrats and total freedom in execution. Slideshows:Top ten richest IndiansIndia's tech billionairesNano City came about after a chance meeting between Bhatia and Pradeep Chaudhery, principal secretary for industry and information technology in the Haryana government. Haryana, benefiting from its proximity to New Delhi, had become a preferred low-cost destination for the back offices of global companies. The state was looking to attract higher-end research work. Recalls Chaudhery, "We completely shared Sabeer's vision that wealth is generated from creating intellectual property. So why not create a world-class environment where our talented scientists and engineers, rather than going overseas, can work right here on next-generation technologies?" Chaudhery hopes that Nano City will in time become a breeding ground for would-be billionaires. His goal is to have a population of 100,000 people and to generate between 25,000 and 50,000 high-level jobs within five years. There are miles to go. Already India is seeing a mad rush to set up special economic zones--a less ambitious step-- throughout the country. Haryana itself has granted approval for one of the biggest--a 25,000-acre development by the Reliance group. These megaprojects are all clamoring for funds and chasing tenants. Moreover, land acquisition has become a thorny political issue amid concerns that farmers may not be adequately compensated in the buying frenzy. Bhatia is unfazed: "It's a big idea and I'm crazy enough to do it. If I don't, someone else will."

Sunidhi Chauhan
Profession: Playback Singer, Bollywood.
Family:husband director , Bobby Khan
She walked into the world of music as a little girl in a talent search TV music show. She showed no nervousness. Rather, only a confidence that took audience by surprise. Here, a profile on Sunidhi Chauhan.
Sunidhi has loved music ever since she was a toddler. Her parents soon realized they had a prodigy on their hands after seeing the exceptional musical talent of their young child. So, it seemed logical that the family shift from to Mumbai. What better city than Bollywood to showcase the talent of their little one? Sunidhi performed on stage several times and got many awards. Kalyanji, the renowned composer, had formed the Little Wonders troupe for child prodigies and Sunidhi was very much a part of it too.
Fame really came to her, though, only through the TV show MeriAawazSuno. The prize for the winner was to cut an album with HMV. Sunidhi won and recorded Aira Gaira Nathu Khaira with HMV. However, this was promoted as a kids album and did not do justice to Sunidhi’s immense talents.
Kalyanji – Anandji were planning a show on child prodigies called Little Wonders. Kalyanji spotted the then eight-year-old child and she joined them for a number of stage shows where she sang, in spite of her tender age, songs of Lata Mangeshkar, Asha Bhosle and Ila Arun.
Her first break in a Hindi film was in the film Shastra followed by Gang, Veergati, Dahek, Bade Dilwala, Raja Ki Aayegi Baraat, Shyam Benegal’s Samar. Her first breakthrough however Ram GopalVerma’s Mast. She sang the hit ‘Ruki Ruki Si Zindagi’ and also three other songs in the film. Sandeep Chowtha’s first film as a composer got an ideal virgin voice in Sunidhi and her song became the most memorable number in the film.After recording for SandeepChowta for the film Jungle, she went on to sing in Vidhu Vinod Chopra's Mission Kashmir. She added yet another feather to her cap by bagging the R D Burman award for the most promising newcomer at the Filmfare Awards 2001.Sunidhi had also cut her solo album called Aira Gaira Nathu Khaira.
She is religious and believes in God,"God is my inner conscience; my intuition, my inner self, my guiding force and my angel who protects me. I have always had deep faith in the supreme power and it has never wavered at all. Once I had to sing a hi-pitch song for the movie Mast and my throat was really bad. It was my faith in divine power and my ability that helped to record successfully. Faith makes a lot of difference in life."
Not one to rest on her laurels, she is now training in Indian classical music so she can improve her skills. She also loves Western music and Mariah Carey and Michael Jackson top her list of favorites. Her ambition is to achieve global fame.
Sunidhi created ripples by tying the knot with music video director/producer Bobby Khan. It seems like Sunidhi is completely happy and fulfilled – both, in her career as well as her personal life.

Asha Bhonsle

A young Asha Bhosle

Asha Bhosle was born in the small hamlet of Goar in Sangli, Maharashtra, into the musical family of Pandit Dinanath Mangeshkar. Her father was a theater actor and classical singer who had been born in the village of Mangeshi in Goa. When she was nine years old, her father died. The family moved from Pune to Kolhapur and then to Bombay. She and her elder sister Lata Mangeshkar began singing and acting in films to support their family. She sang her first film song Chala Chala Nav Bala for the Marathi movie Majha Bal (1943). The music for the film was composed by Datta Dawjekar. She made her Hindi film debut when she sang the song Saawan aaya for Hansraj Bahl's Chunariya (1948).
At the age of 16, she eloped with 31-year old Ganpatrao Bhosle, marrying him against her family's wishes. The marriage failed miserably. Her husband and in-laws mistreated her. After a few years of marriage, Bhosle returned to her maternal home with two children and pregnant with her third child, Anand. She continued to sing in films to earn money.
At that time, prominent playback singers like Geeta Dutt, Shamshad Begum and Lata Mangeshkar (her sister) monopolized the singing for the "heroine" roles and the big films. Asha Bhosle got the assignments they didn't take: singing for the bad girls and vamps or in the second-grade movies. In the 1950s, she sang more songs than any other playback singer in Bollywood, but most of these were in B or C-grade films. She also sang many songs for Marathi films such as Majha hoshil Kaa?, Khedyamadhle ghar kaularu, bugadi mazi and Nach re mora which are considered classics today. She also sang many Marathi bhajans, natyageet and bhav-geet in this period which are popular in Maharashtra to this day.
Asha Bhosle first achieved success in B. R. Chopra's Naya Daur (1957), composed by O. P. Nayyar. O.P Nayyar and Asha Bhosle's collaboration produced many hits. Later, she also received patronage of composers such as Sachin Dev Burman and Ravi. O P Nayyar and Asha Bhosle had a professional and personal parting of the ways in the 1970s.
In 1966, Asha's performance in the duets from music director R D Burman's first successful movie, Teesri Manzil won popular acclaim. Their collaboration produced several hits in the 1970s and resulted in a marriage. In 1960s and 1970s, she became the voice of Bollywood's most famous dancer, Helen. It is said that Helen would attend her recording sessions so that she could understand the song better and plan dance steps accordingly. Some of the most popular Asha Bhosle-Helen numbers are Piya tu ab to aaja (Caravan), O Haseena Zulfon Wali (Teesri Manzil), and Yeh Mera Dil (Don).
In Umrao Jaan (1981) and Ijazat (1987), she sang beautiful traditional ghazals and proved her versatility.
Her film activities slowed in the 1990s. Her performance in the 1994 hit Rangeela was particularly notable. As late as 2005, 72-year-old Asha Bhosle's numbers for the Tamil film Chandramukhi and Lucky Lips for Salman Khan-starrer Lucky were chartbusters.

Personal life
Asha's house is situated in Peddar Road area of Mumbai. She has three children and five grandchildren. The eldest of her three children is Hemant Bhosle (named after Hemant Kumar), who initially dabbled in music direction but then quit to become a pilot. Asha's daughter Varsha, who is younger than Hemant, works as a columnist for The Times of India and Rediff. The youngest child is Anand Bhosle, who has studied business and film direction. He manages Asha's career. Her grandson, Chaitanya (Chintu) Bhosle (Hemant's son) also ventured in the world of music, as a member of a successful boy band, "Band of Boys". Her sisters Lata and Usha Mangeshkar are playback singers. The other two siblings, sister Meena Mangeshkar and brother Hridaynath Mangeshkar are music directors.
Asha is an excellent cook and cooking is her favorite hobby. She often gets flooded with requests by Bollywood celebrities for kadai ghosht and biryani and has rarely turned down a request. In fact, her paya curry, Goan fish curry and dal are very popular with the Kapoor family of Bollywood. Once, when asked in a Times of India interview, what if her singing career hadn't taken off, she said "I'd have become a cook. I would have cooked in four houses and made money."
Asha is a successful restaurateur and runs a restaurant in Dubai, called Asha's. Asha's offers traditional north-western Indian cuisine. It has a presence in the Wafi City development in Dubai and in Kuwait. Asha Bhosle has a 20 per cent stake in the business. Asha is not involved in day-to-day running of the restaurant, which is looked after by the Wafi Group. She takes care of the kitchen and the décor. She personally trained the chefs for almost six months. According to a December 2004 report in the Menu Magazine[8], Russell Scott, a former head of Harry Ramsden's (the fish and chips chain), secured the UK rights to the Asha's brand and planned to open up to 40 restaurants over the next five years.
Asha's fashion statement is white sarees with sparkling embroidery, pearls around her neck and diamonds. Harrington of Kronos Quartet said "The first time I met Ashaji she was dressed in the most beautiful sari with diamonds and looked very regal. Then I looked down and saw that she was wearing tennis shoes! I thought I love this woman."
Asha is a good mimicry artist as well. At a concert at World Trade Center Duabi, on April 22, 2004, she mimicked the song Kabhi To Nazar Milaao in the voices of Noor Jehan, Lata Mangeshkar and Ghulam Ali[9].
Nowadays, apart from singing and her restaurant, Asha is also working on her autobiography
Rivalry with Lata Mangeshkar
Asha's sibling rivalry with her sister Lata Mangeshkar is often talked about, in spite of their insistence that these are just tales. As young children, they were very close. As a child, Lata used to carry Asha all the time. They were so inseparable that when Lata went to school she would take Asha with her, but one day the teacher protested and said that they cannot have two students on one fee. Lata refused to return to school without Asha and quit her studies.
Lata considered Asha's act of eloping with her lover as irresponsible, leaving her alone to sing and earn for the family. This led to tensions among them. Asha herself accepted in an interview — "It was a love marriage and Lata didi (elder sister) did not speak to me for a long time. She disapproved of the alliance." It is a well-known fact that at one time, their relationship was very adversarial and there have been periods of non-communication.
In her initial days in the industry, Asha always played second fiddle to her elder sister. Some say that Lata had once said something criticising Asha's relationship with O P Nayyar. This widened the rift between the two sisters and O P Nayyar also decided that he would never work with Lata. O.P. Nayyar had once revealed — "Asha and Lata staying in opposite flats at Bombay's Pedder Road, shared a common maidservant. Now this maidservant had merely to come and tell the younger sister that Lata had just recorded something wonderful for Asha to lose her vocal poise. Such was her Lata phobia that it took me some months to convince Asha that she had a voice individualistic enough to evolve a singing style all of her own." [6] Asha once said that she has worked for years to create a voice and a style that was different from her Lata, so that she could carve her own niche and not be banished to live her shadow[7].
Asha and Lata have sung many songs together. Their first duet was for the film Daman (1951). [6]. Some of these include Man Bhawan Ke Ghar aye (Chori Chori, 1956), Sun ri sun papiha bole (Miss Mary, 1957), O chaand jahaan woh jaaye (Sharada, 1957), Mere Mehboob Mein Kya Nahi (Mere Mehboob, 1963), Ai kash kisi deewane ko (Aaye Din Bahar Ke, 1966), Main Chali Main Chali (Padosan, 1968), Chhap tilak sab (Main Tulsi Tere Aangan Ki, 1978), and Man kyun behka (Utsav, 1984). While singing, Lata used to hold her notebook in her right hand, while Asha held her notebook in her left hand. This meant Lata had her face away from Asha, making it difficult for them to "anticipate" each other[7].
The movie "Saaz", was supposedly based on Lata and Asha's rivalry. Asha said about the movie — "To have two women in long plaits, take a couple of incidents and exaggerate them into a 3-hour film is such a waste of time."[7] In last few years, Asha and Lata have often been seen in public, enjoying each other's company. In an interview with Times of India, Asha once said - "I remember, sometimes both of us would be at a function and some industry types would ignore me and interact only with her, as if to prove their loyalty. Later, didi (elder sister) and I would have a good laugh!"
The famous Bollywood lyricist-filmmaker Gulzar once said – "Asha was like Neil Armstrong's companion in the space rocket that touched the moon. After Lataji touched down on the moon, Ashaji could only be the second one to get there."

Career milestones
Seen more closely, Asha Bhosle's singing career can be considered having four milestones — Naya Daur (1957), Teesri Manzil (1966), Umrao Jaan (1981) and Rangeela (1995). Naya Daur, 1957
Asha Bhosle's first big break was B R Chopra's Naya Daur ("The New Age", 1957). Her duets with Rafi like Maang ke saath tumhara, Saathi haath badhana and Uden jab jab zulfein teri, penned by Sahir Ludhianvi and composed by O P Nayyar, gave her recognition. Asha and O P Nayyar had worked earlier as well. But it was the first time that she had got to sing all the songs for the lead actress. B R Chopra, the producer of Naya Daur recognized her talent and got her to sing in many of his later films including Waqt and Gumraah, Humraaz, Aadmi Aur Insaan, Dhund etc.

Teesri Manzil, 1966
Asha Bhosle became a pop crooner with Rahul Dev Burman's Teesri Manzil (1966). When she first listened to the tune of the song Aaja Aaja, she felt that she would not be able to sing the Western dance number. R D Burman offered to change the music. She was offended a bit and took it as a challenge to sing the song. After rehearsing for 10 days, when she finally sang the song, an impressed R D Burman handed her a 100-rupee note. Aaja Aaja and other songs of the film, O Haseena Zulfonwali and O Mere Sona Re (all three duets with Rafi, another popular Bollywood singer), became rage of the day. Shammi Kapoor, the actor of the movie, once said – "If I did not have Mohammad Rafi to sing for me, I would have got Asha Bhosle to do the job"

.
Umrao Jaan, 1981
By 1980s, Asha Bhosle had been stereotyped as a "cabaret singer" and a "pop crooner". In Rekha-starrer Umrao Jaan, she sang ghazals like Dil cheez kya hai, In aankhon ki masti ke, Ye kya jagah hai doston and Justju jiski thi. The songs proved her capable of doing fairly serious songs. The music director Khayyam, had lowered her pitch by half a note. Asha herself was surprised that she could sing so differently. The ghazals won her the first National Award of her career and proved her versatility.
Rangeela, 1995
In 1995, a 62-year old Asha Bhosle did playback for young actress Urmila Matondkar in the movie Rangeela. She pleasantly surprised her fans with superhit songs like Tanha Tanha and Rangeela Re. The songs was composed by iconoclastic music director A. R. Rahman, who went on to record many more songs with her. Particularly notable was Asha Bhosle's first song with A R Rahman, Tanha Tanha, an oomph-oozing number.
Partnership with music directors

O.P. Nayyar
Music director O.P. Nayyar's association with Asha Bhosle is part of the Bollywood lore. When her talent was not recognized by anybody in Bollywood, O.P. Nayyar recognized her potential and gave patronage to her. He was the composer who first gave Asha Bhosle her own distinct identity. Many people speculate about a romantic relationship between the two.
O.P. Nayyar first met Asha Bhosle in 1952, at the music recording of Chham Chhama Chham [5]. He first called her for a film called Mangu (1954)). He gave her a big break in CID (1956). However, it was the success of Naya Daur (1957), that made the duo very popular. After 1959, she was emotionally and professionally involved with O.P. Nayyar.
The team of O.P. Nayyar and Asha Bhosle is best remembered for their breezy and sometimes sirenish songs. Some good examples of their sensuous numbers are Aaiye meherbaan picturized on Madhubala (Howrah Bridge, 1958) and Yeh hai reshmi zulfon ka andhera picturized on Mumtaz (Mere Sanam, 1965).
They recorded songs for many hit movies like Naya Daur (1957), Tumsa Nahin Dekha (1957), Howrah Bridge (1958), Ek Musafir Ek Hasina (1962), Kashmir ki Kali (1964), etc. Some of their most popular songs include Aao huzur tumko (Kismat), Jaaiye aap kahan (Mere Sanam) etc. O.P. Nayyar used Asha Bhosle-Mohammad Rafi duo for his most popular duets. some of these songs include Ude jab jab zulfein teri (Naya Daur). Main pyaar ka rahi hoon (Ek Musafir Ek Haseena), Deewana Hua Baadal, Ishaaron hi isharon mein (Kashmir Ki Kali) etc.
Asha Bhosle recorded her last song for O.P. Nayyar in the movie Pran Jaye Par Vachan Na Jaye (1974). The solo number Chain se got many awards, but it wasn't included in the movie.
They split on August 5, 1972. It is not clear what made them part their ways. On being asked the reason for their parting, O P Nayyar once said, "I know astrology very well. I knew that one day I had to part with her. Something also happened, that upset me, so I left her."[5] Nevertheless, he also said "...now that I am seventy-six, I can say that the most important person in my life was Asha Bhosle. She was the best person I ever met."
The parting of Asha Bhosle and O.P. Nayyar was bitter, and probably therefore she has hesitated to give Nayyar his due. While talking about O.P. Nayyar in an interview with The Times of India, she once remarked - "Whichever composer gave me work, it was because my voice was suited to his music at that point. No one musician did me any favor by asking me to sing for him." She gives the credit for her first big break to B.R. Chopra.

Khayyam
Another music director who recognized Asha Bhosle's talent early was Khayyam. His partnership with Asha Bhosle dates back to his first movie Biwi (1948). They recorded many more songs for Dard, Phir Subah Hogi and other movies. But the team is chiefly remembered for the songs of Umrao Jaan.

Sachin Dev Burman
One of the Bollywood's most famous composers, Sachin Dev Burman and his favorite singer, Lata Mangeshkar were not on good terms from 1957 to 1962. During this period, S D Burman used Asha Bhosle as his lead female voice. She and S D Burman gave many hit songs in movies such as Kaala Pani, Kaala Bazaar, Insaan Jaag Utha, Lajwanti and Sujata. They recorded many songs together after 1962 as well. Most famous of these songs were Asha Bhosle's duets with Mohammed Rafi and Kishore Kumar.

Rahul Dev Burman (Pancham)
Asha Bhosle first met Pancham (R D Burman's nickname) when she was a mother of two and he was in 10th grade having dropped out to pursue music. Asha Bhosle and Pancham's team was first noticed in Teesri Manzil (1966). She went on to record a variety of songs with him - cabarets, rock, disco, ghazals, Indian classical music and many more.
In the 1970s, Asha Bhosle and Pancham's youthful, Western songs took Bollywood music by storm - the raunchy cabaret Piya tu ab to aaja (Caravan, 1971, picturized on Helen), the rebellious Dum Maro Dum (Hare Krishna Hare Rama, 1972), the sexy Duniya mein (Apna Desh, 1972), the romantic Chura liya (Yaadon Ki Baarat). Dum Maro Dum went on to become the ultimate anthem of the day. Kishore Kumar is said to have remarked about the song - "It is powerful enough to bring a dead person to life." Pancham also recorded many hit duets with Asha Bhosle and Kishore Kumar - Jaane jaan, dhoondhta phir raha (Jawani Diwani), Bhali bhali si ek soorat (Buddha Mil Gaya) etc.
In 1980s, Pancham and Asha Bhosle recorded subtle numbers for films like Ijazat (1987)- Mera kuch saaman, Khaali haath shaam aayi hai, Katra Katra. They also recorded the popular duet O Maria (Sagar). Mera Kuchch saamaan, the R.D. Burman composition for Gulzar's Ijaazat won her the National Award for Best Singer.
Asha Bhosle used to call R D Burman, "Bubs". She married him in 1980. Their partnership lasted until his death.

Ilaiyaraaja
The prolific south Indian film composer Ilaiyaraaja began employing Asha Bhosle's vocals in the early 1980s, their earliest collaboration being for the film Moondram Pirai (1982) (or Sadma, its Hindi remake in 1983). Their association continued, mostly through the latter half of the 1980s and early 1990s. Some of their notable songs from this period include Shenbagamae (Enga Ooru Paattukkaaran, 1987, Tamil). In 2000, Asha sung Ilaiyaraaja's theme song for Kamal Haasan's political film Hey Ram. The song, Janmon Ki Jwala (or Aparna's Theme), was a duet with ghazal singer Hariharan.

A. R. Rahman
A. R. Rahman is given the credit for Asha Bhosle's "comeback" with Rangeela (1994). Songs like Tanha Tanha and Rangeela Re were chartbusters. She and Rahman went on to record more hits like Mujhe Rang De (Thakshak), Radha kaise na jale (Lagaan), duet with Udit Narayan), Kahin aag lage (Taal, 1999), O Bhanware (Daud, duet with K J Yesudas), Venilla Venilla (Iruvar,1999). Rahman once said - "I approach Ashaji only when I compose something that would fit her stature."

Other composers
Composer Anu Malik and Asha have recorded many hit songs together, including songs for his first movie Soni Mahiwal. Their most popular songs include Filhaal (Filhaal), Kitabein bahut si (Baazigar) among others. The four lines sung by Asha in Anu Malik's Jab dil mile (Yaadein) stood out among voices of Sukhwinder Singh, Udit Narayan and Sunidhi Chauhan. Another Asha patron is the young composer Sandeep Chowta, who got her to sing Kambakht Ishq (A duet with Sonu Nigam) (Pyaar Tune Kya Kiya, 2001). The song was very popular among the Indian youngsters.
Asha has worked with Lata-patrons like Laxmikant-Pyarelal, Naushad, Ravindra Jain, N Dutta, Hemant Kumar. Once when Naushad was asked to sum up the essential difference between Lata and Asha, he said that Asha "lacks certain something which Lata, and Lata alone has". Later he accepted in an interview, "May be I said it because I then had a closed ear on Asha."[6] Naushad Saheb later in his life, also admitted that he has been unfair to Asha Bhonsle. Just remembered that Ashaji once asked composer Madan Mohan-ji, why was she being given only the leftovers (the vamp and side heroines songs)even by him, why she did not get songs which Lata-ji got etc(Madanji was Bhaiyya to both Lata-ji and Ashaji)to which Madanji had replied that "Jab tak Lata hai woh gaane wohi gaayegi! (as long as Lata sings, only she will get them!)[citation needed] Asha has also worked with other noted Bollywood composers like Jatin-Lalit, Bappi Lahiri, Kalyanji-Anandji, Usha Khanna, Chitragupta, and Roshan.

Private albums
In 1995, Asha underwent the gatha bandan (thread-tying) ceremony with Hindustani classical music maestro Ali Akbar Khan to learn a classical repertoire held within the Maihar gharana (stylistic school of Indian classical music), as handed down to Khan by his father Allauddin Khan (the guru of Ravi Shankar). Later, Asha and Ustad Ali Akbar Khan recorded eleven fixed compositions (or bandishes) in California for Legacy, a private album that won them a Grammy Award nomination.
In 1990s, Asha experimented with the remixed R D Burman songs. She was criticized by many, including Khayyam for tampering with old melodies. Nevertheless, albums like Rahul And I became quite popular. In 1997, Asha did a private Indipop album Janam Samjha Karo with Leslie Lewis. The album was hugely popular and won her many awards including the 1997 MTV Award.
Asha had been once asked by the director B R Ishaara to compose music for one of his films, but she had politely declined. In 2002, she turned music composer with the album Aap Ki Asha, an eight-song music and video album. The lyrics were written by Majrooh Sultanpuri (his last lyrics) and the music was composed by Asha herself. The album was released by Sachin Tendulkar on May 21, 2001 at a lavish party in Mumbai. The album received mixed reviews.


Asha Bhosle and Adnan Sami
Asha had spotted Pakistani singer Adnan Sami's talent when he was about 10 years old. At that time was performing in London, with R D Burman. It was she who had asked him to pursue his interests in music seriously. When Adnan grew up and became a professional musician, Asha sang the title duet with him for his best-selling album Kabhi to nazar milao. The two came together again in the album Barse Badal. The album comprises of eight songs, based on Indian Classical music. She contributed the song Yun Na Thi to the recording Womad Talking Book Volume Four: An Introduction to Asia 1 on Womad Records.
Asha has sung ghazals for many albums like Meraj-E-Ghazal, Aabshar-E-Ghazal and Kashish. In 2005, Asha released a self-title album (Asha), a tribute to the four ghazal maestros - Mehdi Hasan, Ghulam Ali, Farida Khanum and Jagjit Singh. The album features eight of her favorite ghazals like Farida Khanum’s Aaj Jaane Ki Zid Na Karo, Ghulam Ali’s Chupke Chupke, Aawargi and Dil Mein Ek Lahar, Jagjit Singh’s Ahista Ahista and Mehdi Hassan’s Ranjish Hi Sahi, Rafta Rafta and Mujhe Tum Nazar Se. These classic ghazals were recreated with modern sounds by the musician Pandit Somesh Mathur. The album was aimed at the younger generation, who, according to Asha, are "turned off" by the traditional sounds of tabla and sarangi.

Concerts and collaborations with foreign artists
In 1980s and 1990s, Asha went globe-trotting, staging concerts in Canada, Dubai, UK, USA and many other countries. In 1989, during a world tour, she performed in 13 US cities in 20 days. Immediately after this, she had an already sold-out concert scheduled in Stockholm, Sweden. Due to the stressful schedule, Asha suffered a massive attack of colitis, together with fever, cough and weakness. In Stockholm, a pre-concert crisis meeting was called, attended by Asha's son (and manager) Anand and the sponsors. It was decided that the orchestra will play many instrumental tracks, the accompanying singers like Suresh Wadkar will shoulder the load, and Asha will make a small appearance. But Asha rejected all such "insane" proposals. Asha's sang at the concert with great difficulty, in a not-so-good voice. Her first set of six Bollywood songs didn't receive any response from the audience, which consisted mostly of Indian and Pakistani expats. Before the start of the second set of songs, a fan in the crowd requested her to sing a Marathi song. Asha obliged and sang Naach-naachuni ati mi damale ("I'm very tired of this endless dancing"). The mood took her over, and she rendered the song very beautifully. When the song ended, the auditorium erupted with claps and the encores started. After the concert, Asha was in bed for a month, recuperating from overexertion. In October 2002, she did a concert with Sudesh Bhosle and others, in London, for "Help the Aged" to help raise funds for older people in India.
In the mid-1980s, Asha sang with Boy George and Stephen Lauscombe. In 1997, she sang a love song with the boy band Code Red, at the age of 64. She also recorded the song The Way you Dream (One Giant Leap, [1]) with Michael Stipe that was used in the English movie, Bulletproof Monk.
In 1997, the British band Cornershop paid tribute to Asha with their song Brimful of Asha, an international hit which was later remixed by Fatboy Slim. In 2001, the CD single of Nelly Furtado's "I'm Like A Bird" included a "Nellie vs. Asha Remix" created by Digital Cutup Lounge.
In 2002, she appeared along with Michael Stipe on the track "The Way You Dream" on the self-titled album by 1 Giant Leap.
In 2003, International Classical-Crossover Soprano Diva Sarah Brightman sampled her song "Dil Cheez Kya Hai" in her award winning album Harem. It was used as the intro for her hit single "You Take My Breath Away".
In 2005, American string quartet Kronos Quartet re recorded the R D Burman compositions like Chura liya, Piya tu, Mera Kuchh Saaman among others and got Asha to sing them. Despite her age (she had crossed 70), she recorded three to four songs in a day, leaving the quartet members stupefied. On August 23, 2005, You've stolen my heart - Songs From R D Burman's Bollywood was released in US. The album was nominated for Grammy Awards 2006 in the category of "Best Contemporary World Music Album". Earlier, in 1990s, a friend had introduced David Harrington of Kronos Quartet to the song Aaj ki raat. Harrington was mesmerised, and the song ended up on the album Kronos Caravan.
Also in 2005, the Black Eyed Peas sampled her song "Aye Naujawan Hai Sab Kuchchyahan" in their hit single "Don't Phunk With My Heart".

Awards
Asha Bhosle has won eight Filmfare awards (one special award for "Rangeela"). She won the award in 1967 and 1968, when Lata Mangeshkar still used to accept the award (Lata asked not to be considered for the award after 1969 to promote new talent). After receiving the award in 1977, Asha emulated her elder sister and requested that her name not be considered for the awards hereafter. She was later given the Filmfare Lifetime Achievement Award in 2001. Following is the list of her Filmfare Awards:
• 1967 — Garibon ki suno (Dus Lakh, 1966)
• 1968 — Parde mein rahne do (Shikar, 1968)
• 1971 — Piya Tu Ab To Aaja (Caravan, 1971)
• 1972 — Dum Maro Dum (Hare Rama Hare Krishna, 1971)
• 1973 — Hone Lagi Hain Raat (Naina, 1973)
• 1974 — Chain se Humko Kabhi (Pran Jaaye Par Vachan Na Jaaye, 1974)
• 1977 — Yeh Mera Dil (Don, 1978)
• 2000 — Filmfare Lifetime Achievement Award
Asha has won two Indian National Awards:
• 1981 — Dil Cheez Kya Hai (Umrao Jaan)
• 1986 — Mera Kuch Samaan (Ijazat)
In 1997, she became the first Indian singer to be nominated for the Grammy Award, for Legacy, an album with Ustad Ali Akbar Khan. She has received seventeen Maharashtra State Awards. She received the Dadasaheb Phalke Award in 2001 for her outstanding contribution to Indian cinema.
Asha has won numerous other awards, some of which include:
• 1987 — Nightingale Of Asia Award (from the Indo–Pak Association, UK)
• 1989 — Lata Mangeshkar Award (Government of Madhya Pradesh)
• 1997 — Screen Videocon Award (for the album Jaanam Samajha Karo)
• 1997 — MTV Award (for the album Jaanam Samajha Karo)
• 1997 — Channel V Award (for the album Jaanam Samjha Karo)
• 1999 — Lata Mangeshar Award (Government of Maharashtra)
• 2000 — Singer of the Millennium (Dubai)
• 2000 — Zee Gold Bollywood Award (for Mujhe rang de from Thakshak)
• 2001 — MTV Award (for Kambakht Ishq)
• 2002 — BBC Lifetime Achievement Award (presented by the UK Prime Minister Tony Blair)
• 2002 — Zee Cine Award (for Radha kaise na jale from Lagaan)
• 2002 — Zee Cine — Hall of Fame
• 2002 — Screen Videocon Award (for Radha kaise na jale from Lagaan)
• 2002 — Sansui Movie Award (for Radha kaise na jale from Lagaan)
• 2002 — Swaralaya Yesudas Award for outstanding contributions to Indian music
Asha also holds honorary doctorates from the University of Amravati and University of Jalgaon in Literature. She has also received the The Freddie Mercury Award for Outstanding Achievement in Arts.
The Birmingham Film Festival paid her a special tribute in November, 2002.